Blank Slate

underground, overground, tumbling free

"One day it will vanish,
how you felt when you were overwhelmed
by her, soaping each other in the shower,
or when you heard the news
of his death, there in the T-Bone diner
on Queens Boulevard amid the shouts
of short-order cooks, Armenian, oblivious.
One day one thing and then a dear other
will blur and though they won’t be lost
they won’t mean as much,
that motorcycle ride on the dirt road
to the deserted beach near Cadiz,
the Guardia mistaking you for a drug-runner,
his machine gun in your belly—
already history now, merely your history,
which means everything to you.
You strain to bring back
your mother’s face and full body
before her illness, the arc and tenor
of family dinners, the mysteries
of radio, and Charlie Collins,
eight years old, inviting you
to his house to see the largest turd
that had ever come from him, unflushed.
One day there’ll be almost nothing
except what you’ve written down,
then only what you’ve written down well,
then little of that.
The march on Washington in ‘68
where you hoped to change the world
and meet beautiful, sensitive women
is choreography now, cops on horses,
everyone backing off, stepping forward.
The exam you stole and put back unseen
has become one of your stories,
overtold, tainted with charm.
All of it, anyway, will go the way of icebergs
come summer, the small chunks floating
in the Adriatic until they’re only water,
pure, and someone taking sad pride
that he can swim in it, numbly.
For you, though, loss, almost painless,
that Senior Prom at the Latin Quarter—
Count Basie and Sarah Vaughan, and you
just interested in your date’s cleavage
and staying out all night at Jones Beach,
the small dune fires fueled by driftwood.
You can’t remember a riff or a song,
and your date’s a woman now, married,
has had sex as you have
some few thousand times, good sex
and forgettable sex, even boring sex,
oh you never could have imagined
back then with the waves crashing
what the body could erase.
It’s vanishing as you speak, the soul-grit,
the story-fodder,
everything you retrieve is your past,
everything you let go
goes to memory’s out-box, open on all sides,
in cahoots with thin air.
The jobs you didn’t get vanish like scabs.
Her good-bye, causing the phone to slip
from your hand, doesn’t hurt anymore,
too much doesn’t hurt anymore,
not even that hint of your father, ghost-thumping
on your roof in Spain, hurts anymore.
You understand and therefore hate
because you hate the passivity of understanding
that your worst rage and finest
private gesture will flatten and collapse
into history, become invisible
like defeats inside houses. Then something happens
(it is happening) which won’t vanish fast enough,
your voice fails, chokes to silence;
hurt (how could you have forgotten?) hurts.
Every other truth in the world, out of respect,
slides over, makes room for its superior." 

The Vanishing // Stephen Dunn

"It was everywhere, in the streets and houses,
on farms and now in the air itself.
It had come from history and we were history
so it had come from us.
I told my artist friends who courted it
not to suffer
on purpose, not to fall in love
with sadness
because it would naturally be theirs
without assistance,
I had sad stories of my own,
but they made me quiet
the way my parents’ failures once did,
nobody’s buisness
but our own, and, besides, what was left to say
these days
when the unspeakable was out there being spoken,
exhausting all sympathy?
Yet, feeling it, how difficult to keep
the face’s curtains
closed - she left, he left, they died -
the heart rising
into the mouth and eyes, everything so basic,
so unhistorical
at such times. And then, too, the woes
of others would get in,
but mostly I was inured and out
to make a decent buck
or in pursuit of some slippery pleasure
that was sadness disguised.
I found it, it found me, oh
my artist friends
give it up, just mix your paints,
stroke,
the strokes unmistakably will be yours." 

Sadness // Stephen Dunn

"Because with alarming accuracy
she’d been identifying patterns
I was unaware of — this tic, that
tendency, like the way that I’ve mastered intimacy
in order to conceal how I felt —

I knew I was in danger
of being terribly understood." 

Connubial // Stephen Dunn (via grammatolatry)

"Those of us who think we know
the same secrets
are silent together most of the time" 

Those of Us Who Think We Know // Stephen Dunn

"

I like things my way
every chance I get.
A limit doesn’t exist

when it comes to that.
But please, don’t confuse
what I say with honesty.

Isn’t honesty the open yawn
the unimaginative love
more than truth?

Anonymous among strangers
I look for those
with hidden wings,

and for scars
that those who once had wings
can’t hide.

Though I know it’s unfair,
I reveal myself
one mask at a time.

Does this appeal to you,
such slow disclosures,
a lifetime perhaps

of almost knowing one another?
I would hope you, too,
would hold something back,

and that you’d always want
whatever unequal share
you had style enough to get.

Altruism is for those
who can’t endure their desires.
There’s a world

as ambiguous as a moan,
a pleasure moan
our earnest neighbors

might think a crime.
It’s where we could live.
I’ll say I love you,

which will lead, of course,
to disappointment
but those words unsaid

poison every moment.
I will try to disappoint you
better than anyone ever has.

" 

Mon Semblable // Stephen Dunn

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